The King is Dead

Monday, January 23, 2017

The King is Dead: DHAMPIR

The second The King is Dead adventure (which was supposed to be the first) is now available!

In an 18th century that never was, the island nation of Malleus writhes under the thumb of an aristocracy of vampires. A coalition of secret societies fights from the shadows to drag theses oppressors burning into the light, but the alliance is young and in dire need of a weapon that can turn the tide against the vampires and their forces.

Word comes to a cabal of heroes that Lady Clarimonde yearns for freedom from the tyranny of her debauched and cruel father, the Baron Drachenholm. Thankfully for her, she possesses the means to pay for her freedom: the Sanguinem Maledicta, a cure for the curse of vampirism!


The heroes must dare the deadly labyrinth of Mallean high society to discretely win the lady her freedom – but can they trust Lady Clarimonde herself? She is, after all, no human gentlewoman but rather the child of mortal and undead – a DHAMPIR!
  • New Hindrances!
  • New Edges!
  • New Equipment!
  • A modular adventure that can be resolved in one session or expanded into a mini-campaign!

The King is Dead: DHAMPIR requires the Savage Worlds rules to play.

The journey down the long and rocky road toward completing The King is Dead leaps leagues ahead with the publication of this pseudo-prequel to VARGR. Whereas that adventure took the heroes into the deadly Mallean countryside, this places them in the even more deadly cityscape of Hammerstadt, the vampire capital. Writing this adventure really helped us work out a lot of issues with mechanics and tone, and we expect work on the setting book to proceed much swifter now.

Purchasing this adventure through the links on this page helps support Wine and Savages through affiliate link incentives. Purchase it now at DriveThruRPG.

Musings on a Gail Carriger-Inspired New Campaign

Well, our most recent duet campaign was abruptly euthanized last night after lingering in terminal doldrums for several weeks. I wanted the next campaign Robin and I were going to play to be Blue Rose AGE, but Robin likes to have physical books on hand when we play in established game worlds and we haven’t received that from the Kickstarter yet. Instead, it’s time for another hastily-improvised original setting: a knock-off of Gail Carriger’s Parasol Protectorate universe.
I’ve only read half of Soulless, the first book in the series, while Robin has read the original five volumes, the Finishing School YA spin-off, the published volumes of the sequel Custard Protocol series, and the novellas set in the same world. I don’t feel intimidated by this; my reaction when reading Soulless was “I could have written this” – but not in a dismissive way. Rather, I found the book to be surprisingly in line with my own sense of humor and world-building; this did, admittedly, disincline me from reading further, but that’s more from not feeling surprised or educated by the story, rather than disliking it.
Carriger’s world is a steampunk fantasy Victorian Age. Ghosts, vampires, and werewolves are openly part of society, though hardly considered safe. Airships and mad scientists abound, as well as weirder forms of supernatural beings. A secret service polices the supernatural to protect the mundane folks.
For our knock-off, we’re going to use the classic World of Darkness divisions of supernatural beings: vampires, werewolves (and other shifters), wizards (and mad scientists), ghosts, and fairies. Less common supernaturals will lurk around the edges; Frankenstein’s monster is undoubtedly up to something (I usually portray him sympathetically, so maybe he’ll be a villain this time instead) and perhaps a few mummies have awakened. During last night’s brief session (occurring after several hours of debating what setting to use), I mentioned that Dr. Jekyll was lecturing in London. I should totally throw in the Loch Ness Monster at some point.
Our heroine is a wereleopard of Anglo-Indian descent, the youngest child of a nabob family that rose to prominence in the late 18th century. She’s only 1/16th Indian, so her family’s money means she only feels the barest trace of prejudice from the most hidebound members of the aristocracy, but she is still regarded as somewhat exotic and strange, leaving her with no suitors yet at the age of twenty. Her family has just returned to London for the Season, so her mother is determined to correct that.
Robin quickly established that Ruby Hastings (our heroine) possesses and inquisitive mind, straying into being a bluestocking. She’s also discontented with societal expectations; I get the impression she finds balls and other such entertainments dull, but isn’t repulsed by them. To give her some independence (and a gadfly), I had her parents hire a companion to chaperone her about the city. Elsie Cottingly, despite putting on a show of propriety for her parents, quickly revealed to Ruby that she possesses a rather dirty mind. 
(Actually, “Elsie Cottingly” wasn’t the character’s name when I introduced her, but I didn’t write it down and forgot her name overnight. I chose the name just now because I have determined she is definitely a fairy and wanted a name that reflects that and that I’ll remember.) 
Our last campaign was about a fae sommelier in modern New York, but it quickly got bogged down in real-life concerns (also, our heroine kept refusing the Call to Adventure). I’m not saying a campaign or story about fairies who don’t belong to the Seelie or Unseelie courts forming their own union couldn’t be interesting, but it wasn’t working for us. This game will need to be deliberately more adventurous, so I need to introduce a supporting cast and start getting them into trouble.
So, who do we have?
  • Ruby Hastings, wereleopard ingénue (age 20)
  • Hereward Hastings, MP, her wereleopard father (who should probably be involved in some political contention like home rule for India or something) (age 47)
  • Coral Hastings (née Tempest-Sackville), her “socially active” mother (not a climber so much as a busybody) (age 43)
  • Walter Hastings, Ruby’s layabout wereleopard older brother (age 22)
  • Pearl Clive (née Hastings), Ruby’s older, domestically-inclined sister (age 25)
  • Ruskin Hastings, Ruby's wereleopard, half-Indian grandfather who rarely leaves the family estates (age 90) 
  • Elsie Cottingly, untrustworthy (secretly fairy) lady’s companion (age unknown) 
Who do we need?
A harem of suitors, obviously. Not to borrow too heavily from my brief dalliance with Carriger’s world, but a Scottish werewolf certainly sounds appropriate. Maybe turning Stoker’s novel and the Dracula Dossier on their heads and having a good guy Dracula? Hmm… Actually, I think I want to avoid incorporating familiar characters when possible; that way the guest stars won’t take over the narrative. 
  • Sir Arthur Hopewell, Bart., a vampire agent for the Socrates Society, a secret agency tasked with curtailing supernatural threats (age 40). He’s from Lord Ruthven’s bloodline, so he has to steel himself to resist loving anything, or he will be cursed to destroy it. 
  • Ossian McKenna, werewolf explorer (age 31). A daring world traveler in the Sir Richard Francis Burton mold whose lycanthropy is harder to control than he likes to let on. Astonishingly progressive for his time, of course, otherwise he’d be unpalatable. 
  • Kumar Banerjee, weretiger something something (age 25). I know I want an Indian suitor, but I’m not sure what role he should have. I suppose the way to play against type would be to have him be a self-made or second-generation businessman who does not indulge in any weird vices like were-people bare-clawed fisticuffs. 
  • Marcus Toll, American mage (age 30). An aide to the American ambassador; possibly up to no good, because who trusts wizards? 
  • Maybe a mad scientist? It’s so easy to slip into anti-scientific prejudices when doing fantasy and horror, so deliberately not doing that might be a good idea.
We also need some antagonists – not villains, necessarily, but certainly opponents for Ruby. Hmm…
  • Lady Alpharetta Heathcote-Harding-Willoughby, werewolf ingénue (as 18 – 20), a prim, proper, hyper-competitive (murderous?) rival in love 
  • Burke Harrington, resurrected criminal (age 35 – 70), a “patchwork man” version of Moriarity, perhaps. 
  • A bad vampire. Maybe I should use Dracula and install him as the ambassador from the Austro-Hungarian Empire. Maybe Lord Ruthven is still out there, changing identities from time to time, luring the innocent to destruction.
Well, that’s probably enough to start with. I should probably put off reading any of the dozens of other game books, manga, and novels in my backlog and try reading Soulless again.

Friday, January 20, 2017

Five Years

I can’t believe it’s been five years since I started Wine and Savages.

In some ways, it feels like less time has passed; in others, more. Personal tragedies and triumphs, vocational wins and losses, have added up to things often feeling like I’m taking one step forward and two steps back every day. It’s undeniable that I’m in a different place right now.

My name is known to some of the brightest lights in the industry. I’ve both published and edited professionally. I’ve made a mark; it may be a little mark, but it’s there.

I wish I had something more profound or creative to say, but Robin and I are about five man-hours away from finally finishing DHAMPIR, the second (though actually the first) The King is Dead module. Most of my creativity is tied up in that right now. 

In lieu of forced profundities, let me thank the following:

Robin English-Bircher, for being such a wonderful partner in life and on this blog.

Eric Simon of Four-in-Hand Games, for being the first publisher to hire me to write in their world – and for being so patient with The King is Dead – and for just being an awesome person.

Vickey and Bob Beaver of Obatron Productions, for accepting my articles and giving me my big break (and the articles in Savage Insider are still some of my favorite writing I’ve done).

Ross Watson, for profound encouragement and giving me a chance to edit others’ work.

John Dunn, for being the second publisher to let me play in their world – and for the Xmas cards!

Charles White, for being the third (watch this space for announcements).

Tommy Brownell and Kristian Serrano, for building the Savage Worlds online community.

Aaron T. Huss and Gilbert Gallo for making me feel this blog was a player when they reached out to me to promote Mythos.

Sean Patrick Fannon, Jodi and Clint Black, Terry Whisenant, Preston DuBose, Ed Wetterman, and Shane Hensley (even if he forgets who I am), for advice and welcoming me into the RPG professional community.

David Larkins, who still treats me well even though I’ve totally screwed up and crapped out on helping him a couple of times.

Richard Woolcock, for advice, support, and inspiration.

Jack Shear, Trey Causey, Charles Akins, Gaston’s Hat, Stacy Dellorfano, Christopher Helton, Jens D., and all of my friends and peers in the RPG blogging community for friendship, inspiration, or annoyingly helpful advice (even Zak S.).

Wil Wheaton and Jess Nevins, for being my spirit animals.

James Maliszewski, Jeff Rients, and John Arendt, for inspiring the blog in the first place.

My high school buddies (James, Robert, Steve, John…), for getting into gaming with me. I hope your lives – wherever you might be – find you well.

My in-real-life friends – Tomas, Andy, Sam, Erick, Stacy, and Kate Lytle Elsinger and Paul Scofield of Too Real Games – for the fun and friendship we’ve shared in recent years.

All the people I forgot to thank.

My cat and my wife’s cat, for being my real spirit animals. They know their names.

And, again, Robin, because I can never thank her enough.

Monday, January 16, 2017

Olympus, Inc

I cannot, with any honesty, review Olympus, Inc. I’ve written an adventure for the setting and expect it to be published in the next few weeks. What I can do, instead, is offer an overview of the new urban fantasy setting from Fabled Environments.
Purchasing this product – or any products on this page – from the provided DriveThruRPG links helps supports Wine and Savages through affiliate payments.

Written by: Gilbert Gallo and Charles White
Published by: Fabled Environments
System: Savage Worlds
Genre: cyberpunk/espionage/urban fantasy

Thrown down for their hubris by the primordial mother goddess Gaia, the Greek gods have built mighty megacorporations to replace lost Olympus. The Titans oppose them with megacorporations of their own, turning the battle for godhood into a shadow war of corporate espionage. Waging this war are the demigods, man-times-removed descendants of the gods and monsters of Greek legend who have awakened to their buried divinity, recruited by both the Olympians and Titans to act as their agents.
Olympus, Inc opens with a chapter detailing the ancient cosmological origins of the conflict between the Olympians and Titans before moving into a history of Olympian activity in the 20th century and the formation of the Delphi Corporation, the private intelligence and security company assumed to be the primary employer of the heroes.
This leads into discussion of six of the twelve Olympians – Aphrodite, Apollo, Ares, Dionysus, Hermes, and Zeus – and the corporations they control, as well as three Titan-controlled organizations that oppose them. While every Olympian corporation has several legitimate fronts, each also possesses at least one (sometimes borderline) criminal element; this successfully emphasizes not only the nihilism of Olympus, Inc’s cyberpunk side but also the moral ambiguity the gods displayed in their myths. Frustratingly, this ambiguity causes tonal whiplash with the Titans, as their front organizations engage in such unambiguously good services as microcredit and disaster relief in order to provide cover for outright terrorism.
Character creation follows, introducing new Skills, Hindrances, and Edges. The three “races” of demigods are presented: Paragons, who derive their divinity from only one god; Proteans, who have a mix of divine ancestry in their veins; and Demihumans, the half-human monsters of Greek mythology. Only six Olympian bloodlines are discussed (the same six as the megacorporations) and only two Demihuman races are presented (minotaurs and satyrs). Paragons receive the most Power Points to purchase their powers but are limited in the choices they can make, Proteans can choose from any powers they want but are weaker, and Demihumans gain inherent physical abilities but share the weaknesses of their ancestors.
Olympus, Inc requires the use of the Savage Worlds Super Powers Companion, as the next section on powers reiterates, but the available powers have been tweaked extensively to fit the mood of the setting. By judiciously avoiding a few powers that refer the reader to the SPC for details, it might be possible to run the setting without needing the Super Powers Companion. Even though the powers presented represent only half of the Olympians, they competently capture the flavor of the those presented.
The chapter on gear follows after, offering Olympus, Inc’s cyberpunk bona fides in the form of a heavily-illustrated four-page spread of ultramodern firearms. New melee weapons, body armor, and tactical gear not found in the core Savage Worlds rules round out the chapter, along with a section on alchemy and magical items. Like 21st century dungeon delvers or Rippers, the heroes of Olympus, Inc are encouraged to harvest the organs of their monstrous foes to render the ingredients into alchemical potions.
The bestiary is spread out over three sections: a collection of generic nonplayer character templates like beat cops and gang members, a cast of characters of developed and unique allies and antagonists (including one that I am sure only coincidentally shares a name with a former cast member of MADtv), and a section on mythological enemies. The latter section is divided into Intelligent Mythological Beings (IMBs) – beings only a step removed from the Demihumans players can play – and savage mythological creatures – creatures of animal intelligence or unalleviated evil. The IMBs contain the usual suspects – harpies, sphinxes, tritons – but also some unusual examples like cynocephali and empusae.
The final section of the book is the Adventure Oracle, a random adventure generator that emphasizes story structure, pulling inspiration from the noir underpinnings of cyberpunk. The oracle (like many Savage Worlds generators) is based on drawing playing cards, with suit and value representing different aspects of the adventure. The suits determine the Concept (Scenario, Antagonist, Motivation, and Reward) while the values determine the Unfolding (Main Theme, the Start, the Twist, and the Main Scene). Advice on how to work the elements of the oracle together and an example adventure round out the book.
Mood & Tone
The most obvious point of comparison for Olympus, Inc is Scion, the mini-franchise from White Wolf and Onyx Path about demigods who are also fighting Titans in the modern day, but the settings are less similar than they appear. Scion – from what I can glean from a cursory flip-through of a copy I got through one of DriveThruRPG’s Halloween giveaways – is much like an action movie version of Neil Gaiman’s American Gods, tracking a budding demigod’s transformation through archetypal trips to the Underworld and the like. Olympus, Inc is really more like Shadowrun, only the existence of the supernatural is still a secret for most of the world; the setting emphasizes corporate espionage and intrigue instead of mythic transcendence.
(Humorously, this puts Olympus, Inc in stark contrast to Mythos, the previous Gilbert Gallo-penned setting of demigods in ancient Greece, even though Mythos is implicitly part of the Olympus, Inc timeline.)
The moral ambiguity mentioned before firmly aligns Olympus,Inc with Shadowrun, so even though the setting is an alternate now instead of a near-future, it fits the cyberpunk aesthetic. Reading through the section on the corporations can be a bit jarring: the Titans allied with the Nazis, which makes them unambiguously the villains, but in the modern day they preserve endangered cultures and develop low-cost energy sources; meanwhile Aphrodite runs an ersatz Ashley Madison and Dionysus trades in illegal drugs, but Zeus backs what appears to be an homage to Amnesty International. It’s a deliberately uncomfortable, dystopian worldview that presents the Game Master and players with blurred shades of gray instead of the black-and-white moral divisions assumed in many Savage Worlds settings.
Production Quality
Befitting the decade-plus since Fabled Environments began releasing products, it’s no surprise that the graphic design is clean and effective. Art is comparable to most Savage Worlds third-party licensees, with appropriate echoes of early White Wolf books. Following the example of Pinnacle’s multiple releases of the Savage Rifts® books, the text benefitted from customer review after the initial release.

Sunday, December 25, 2016

Annual Xmas Pirate Santa Repost

It's that time of year again! Despite -- or perhaps because -- I celebrate a secular Xmas, I am a huge fan of Santa Claus in all his weird and wonderful forms, and this post remains a perennial favorite of mine. Some year when I'm less busy writing my own setting and working on mystery projects, I'll try to get that Dionysus encounter linked below written up into an adventure, or maybe create some stats for St. Nicholas and his crew. Today, though, enjoy this Xmas repeat.

An encounter for Pirates of the Spanish Main:

When the crew is in port during December, they encounter a strange figure at the tavern: 
The old man is short – barely five feet tall -- and heavy-set.  A white beard frames his fleshy face and laughing eyes twinkle above a broken nose.  His knuckles are calloused – the hands of a brawler – and a length of heavy chain wraps around his thick stomach.  Three jingling bags of coins are tied to his belt.  He raises his mug to you and smiles.
Rugged sailors and crusty pirates give the old man’s table a wide berth.  He smiles warmly at the tavern wench who brings his meal and wine and tips her generously from the gold he carries.  He says grace and tucks into his hearty meal.

Questioning the tavern staff and guests reveals the following rumors and speculation (one per success or raise on a Streetwise roll):

  1. He’s a Dutch pirate – Nikolaas van Hoorn* – wanted by the Spanish for the sacking of Vera Cruz. (False)
  2. He’s a slaver; his ship is crewed by the ugliest scum on the face of the earth.  (Almost False)
  3. He’s looking to pay some young maiden’s dowry with the gold he carries – wink-wink, nudge-nudge, say no more.  (Almost True)
  4. He’s a sorcerer; he carries the Chain of St. Peter, a holy relic capable of binding demons and spirits.  (More True Than False)
  5. He’s really a Greek named Nikolaos who escaped from a Turkish prison.  (True – from a certain point of view)
  6. He’s got a mean right hook and he’ll punch you in the face if you blaspheme in front of him. (Very True)

The old man is, of course, St. Nicholas of Myra -- also called St. Nicholas the Wonderworker – and patron saint of pirates, prostitutes, sailors, and thieves.  His identity will probably be obvious to many players and it is not recommended the GM go to any great lengths to obscure it.  Courting his favor can grant the crew several boons; earning his ire will cause them problems.

If the crew buys St. Nicholas a drink or a meal, treat anyone who chips in money as blessed with the Luck Edge until the next time they commit an infamous act (feel free to make it Great Luck if they buy him milk and cookies).  If they beseech his aid, he can break the curses of supernatural beings – but he will demand penance and good deeds in return.  St. Nicholas is one of the few supernatural beings powerful enough to contend with Dionysus or Atargatis and can free PCs from servitude to one of those pagan gods.

Player characters who assault or steal from St. Nicholas will find themselves hunted by the saint’s demonic servants – Bellzebub, Black Peter, Knecht Ruprecht, Klaubauf, Bartel, Pelzebock, and the Krampus (treat as Wild Card Ghost Pirate Captains armed with clubs).  These frightening devils will beat the characters senseless and play other cruel tricks on them before leaving them where they can be found by the authorities or taunted by rival crews.

*Nicholas van Hoorn was an infamous Dutch pirate who actually named his ship "Saint Nicholas' Day."  Seriously

Wednesday, December 21, 2016

The Christmas Morning That Almost Wasn't and other Xmas presents

The Christmas Morning That Almost Wasn't.

I wrote a Savage Worlds Christmas adventure for kids: The Christmas Morning That Almost Wasn't.

I feel like I barely know myself right now; I don’t even like kids and yet I wrote a deliberately child-friendly module. It’s not 100% free of snark, but the adventure is shockingly earnest and maybe even wholesome. Weirder, though, is that I think it might actually be a good adventure.

Typical of several adventures I’ve written, it’s accordion-shaped: it can be very short or very long depending on whether you stretch it out. The basic mission is pretty simple, but there are a lot of diversions and encounters that a GM can use to a single-session game into an epic, multipart quest.

(Well, as epic a quest as a bunch of talking baby animals can go on…)

On Christmas Eve, a foolish living snowman named Harald takes the magical Hourglass of Eons and sneaks away from Santa’s Castle to deliver it to Imp of Winter, Jack Frost. Now several young animals must track Harald through the snow and forests of the Land Beyond the North Wind before Harald hands over the hourglass – and Jack Frost makes it winter forever.

The Christmas Morning That Almost Wasn’t is a holiday-themed scenario for younger players inspired by L. Frank Baum’s The Life and Adventures of Santa Claus, Rankin/Bass Productions’ animated specials, Rene Cardona’s Santa Claus, J.R.R. Tolkien’s Father Christmas Letters and (ever so slightly) Grant Morrison and Dan Mora’s Klaus.

The adventure tones down Savage Worlds’ pulp action atmosphere to emphasize nonviolence (even on the part of the villains) and diplomacy. The pre-generated character sheets in the back are formatted in a non-standard way to improve comprehension for younger readers.

The Christmas Morning That Almost Wasn't is pay-what-you-want, with profits split between me and Eric Simon (who graciously agreed to format it for publication and publish it through Four-in-Hand games). If you buy it through the links on this page, then I’ll get a little bit extra as an affiliate, too.

Season of the Witch

If you're in the mood for something a little less sweet (though sweeter than you might think), my good buddy Ross Watson has written a new Christmas-themed 1-Sheet for Melior Via's Accursed: Season of the Witch.

An idealistic young girl sets out to prove that the celebration of Evergreen Night is for everyone, even the reclusive and infamous Frau Pechta. The Penitents are asked to bring the girl back to her family before Frau Pechta’s inhuman hunger brings a grisly end to the holiday! Can the Accursed handle a sugar-spun stronghold, candy-frosted banes, and the spirit of the season?

Season of the Witch is a tongue-in-cheek, holiday themed 1-Sheet style scenario that focuses on the adventures of a band of Witchmarked heroes in the Accursed game setting. The adventure may be played as a standalone, or it may be used with the Plot Point Campaign included in Accursed. The adventure features brief scene descriptionss, with necessary game mechanics and opportunity for tasks that can be resolved in a variety of ways. 

Season of the Witch is also PWYW (though feel free to give Melior Via your money, and some for me by means of affiliate links). While the adventure is deliberately campy, it could also seriously inspire hope in a band of Accursed.

Olympus Inc

Finally, Olympus Inc. is out! I won't pretend to be an uninterested party; Charles White has asked me repeatedly to contribute an adventure to the setting and beyond that – I've just always thought it sounded like a fun setting. I haven't finished reading my copy yet, but I'm digging the shades of gray morality. The Olympians might be your patrons, but they're still the shifty buggers they've always been. (At least, I hope they're meant to be shifty.)

So…been through a lot have you? Motor vehicle accident, total humiliation, family murdered? No? Ah…a bunch of guys tried to kill you. I figured it was something like that or we wouldn’t be having this conversation.

Was there a moment where every cell in your body cried out and you felt every emotion at the same time? Did you feel like you could do anything and were one with the universe for a split second? That is what we call the Awakening. Congratulations, today is your birthday. Today you are no longer asleep. Instead, you have Awakened. You are a demigod.

For the most part, things are exactly as you knew before you experienced the Awakening. Let’s start with the basics. This is stuff you probably already knew or at least suspected. Twelve massive corporations control most of the world’s commercial, medical, scientific, and industrial production via a plethora of subsidiaries. To some extent, governments still hold megacorporations in check and the media is a mixed bag.

What you don’t know is that you’re now knee deep in a war for the survival of our world. Good Luck!

Welcome to the world of
Olympus, Inc where demigods and mythical creatures battle in the shadows for the future of our world.Olympus, Inc combines the vibe of the cyberpunk genre with modern espionage and urban fantasy.


In the book you will find
  • Several New Edges and Hindrances
  • Details On Six Of The Olympians Gods And Their Corporations
  • Three Types Of Demigods
  • List of Powers For Each Demigod Bloodline
  • Amazing Adventure Generator
  • So much more!!

Friday, December 16, 2016

Rogue One (SPOILERS)


Last night, I saw Rogue One at a private screening arranged by a friend of Robin who apparently makes more money than either she or I do. It was tense. It was thrilling. It was easily as good as any of the three films people usually rank as the best Star Wars movies. I wish I could think of some spoiler-free insights to write about, but unfortunately, OH MY GOD I WANT TO TALK SPOILERS SO MUCH!!!
So, let’s do that after the cut.
(First, though, we watched the special edition-ized original trilogy to prepare ourselves for new Star Wars, and there’s this one thing that is just driving me nuts. Adding back in the Jabba scene to A New Hope was not necessarily a terrible idea, but most older fans agree that Han walking on Jabba’s tail was kind of ridiculous. I mean, if Jabba was so scary, why didn’t he kill Han Solo on the spot for that slight? Lucas said at the time that he did it as a way to work around the blocking from how the footage was originally shot with Jabba just being a big, ugly humanoid, but you know what would have worked better? Just cutting away from that footage to a reaction shot of Chewbacca or Boba Fett – or Chewbacca and Boba Fett sizing each other up – and then back to Han Solo standing on Jabba’s other side would have worked. What kind of short-sightedness missed such an obvious workaround?)